Rituals of the Elements: Vernal Equinox

The Rituals of the Elements: Vernal Equinox


It is written in Liber AL vel Legis II:36, “There are rituals of the elements and feasts of the times.” Crowley comments, “The entry of the Sun into the cardinal signs of the elements at the Equinoxes and Solstices are suitable for festivals. The difference between ‘rituals’ and ‘feasts’ is this: by the one a particular form of energy is generated, while there is a general discharge of one’s superfluous force in the other. Yet a feast implies periodical nourishment.” This cycle of dramatic rituals are therefore invocations. They are intended to generate energy at the entrance of the Sun into the cardinal signs of elements at the four quarters of the year, i.e. the Equinoxes and Solstices.

The entire cycle of rituals simultaneously show:

  1. The macrocosmic cycle of the Sun going through the seasons
  2. The microcosmic cycle of Man going through the generations/Incarnation (birth/youth-adulthood-old age-death).
  3. The process of Attainment from 0=0 to 8=3 and back again.

The energies of each ritual correspond to each of these planes at once:

Equinox and Solstice rituals

Each ritual invokes a particular energy. Each ritual has a particular Word of Power associated therewith and it is intoned in between the scenes. The Word also appears once in each ritual within a particular Scene.

Each of the four rituals has 3 scenes for a total of 12 scenes for the entire cycle, one for each of the signs of the Zodiac. The middle scene of each ritual is the sign of the Equinox or Solstice – for example, the middle scene in Autumn is Libra. The first scene is therefore Virgo, the sign before Libra, and the last scene is Scorpio, the sign after Libra. In general, the first scene represents events leading up to the Equinox or Solstice, the middle scene represents the actual turning-point, and the last scene represents events leading to the next Equinox or Solstice.

The Basic Characters

  • (☉/♂) Priest/King – the conscious Self. The Child who grows to become King who attains and becomes a Priest and then dies and is reborn as the Child.
  • (☽/♀) Priestess/Queen the Non-Self (the unconscious self, the “higher self,” etc.)The  Mother of the Child, the Queen/Beloved of the King, the High Priestess of the Priest.
  • (+ and -) 2 Children – the duality of the World. Various roles throughout the entire cycle.
  • () The People (participants) – the inhabitants of the World; they identify (at least their conscious selves) with the Priest.


Also known as “The Bornless Reborn”

The Word of this ceremony is ‘VIAOV.’ It is repeatedly intoned in between scenes by the People/Congregants. The Incense of this ceremony is Frankincense1 and/or Rose.2 The Talisman of this ceremony are fresh, Spring flowers.3

SCENE I: Pisces.
End of Winter, the Final Lamentations of the Mother

[MUSIC: The last ~2 minutes of Alexander Glazunov’s “Winter” from “The Seasons,” which continues the song that ended the Winter ceremony]

The Queen is the Mother4, lamenting the death of the King at the tomb in the West5. + and – stand in the East in front of the dais as forms of Anubis6, looking to the West at the Queen. The Obelisks are still broken.

[MUSIC: Sounds of wind howling/storm fade in and overpower the music]

MOTHER: Sterility is my name, and desolation.

+: Intolerable is thine ache

–: And incurable thy wound.

MOTHER: I said, Let the darkness cover me; and behold, I am compassed about with the blackness that hath no name.7

+: The sun has become black!

–: The moon has become as blood!8

MOTHER: All that was ordered and stable is shaken!9 The winter storm has plunged our kingdom into darkness.

The Queen pauses and listens to the howling winds.

MOTHER: The mystery, the evil darkness of these incoherent cries, sets my teeth on edge with horror. And yet I cannot give up the hope which thrilled me at the Voice.10 But so keen, so desolate, so deadly is the pain of my spirit that blank darkness overwhelms me altogether.11

+: Yet there was a star in sight…

–: A star of hope arose…

MOTHER: Yet fell back into the darkness of the waters!12 A Star in the West? What folly!13 The King has left no heir and I fear we may wallow in this darkness forever. This discipline is sorrowful…

+: And ploughing is laborious…

–: And age is weariness…14

MOTHER: I sink through waves of blackness… down!

The Queen falls down.

+: Down!

+ falls down.

–: Down!15

falls down.

MOTHER: In this Kingdom of the Grave, there is no light or knowledge.

+: Nor beauty.

–: Nor stability.

MOTHER: The worm is crowned!

The Queen places her crown on the ground.

MOTHER: All that we have been hath been eaten up! All that we shall be is nothing!16

+: The darkness of the earth is ruddy.

–: The darkness of the air is grey.

MOTHER: The darkness of the soul is utter blackness.17

The Mother laments and, with each wave of sobs and cries of pain18, the thunder of the storm gets louder and longer, an earthquake19 rumbles stronger and stronger.

+: The Queen is sore distressed!20

–: Who is now set to save us?21

+: Is not the egg of spirit a black egg?

–: Is not the snake that devoureth the spirit of man the lust of light?22

+ stands up while saying:

+: Let us beseech the Babe that abides in the egg!

stands up while saying:

–: Let us invoke the Son of Morning hidden in the Lotus!23

+ and – walk to the West and gather on opposite sides of the Mother. + turns around, and + and circle the Queen widdershins (counter-clockwise) while vibrating VIAOV three times. During the first vibration, + and – are in the Sign of Isis Mourning; during the second vibration, they are in the Sign of Apophis; during the third vibration, they are in the Sign of Osiris Risen; there are a total of 9 widdershins circumambulations.24


The King is hidden inside the Veil in the East. The Music gets quieter for a moment.

KING: In the thick darkness the seed awaiteth spring.25


[MUSIC: The thunderstorm continues and gets louder.]

Congregants repeatedly intone ‘VIAOV’ in between scenes.

SCENE II: Aries.
The Vernal Re-Birth of the Father in the Child

[MUSIC: The storm continues to rumble with thunder.]

The King is still behind the Veil. The Obelisks are stood upright and in front of the Veil.

The Queen gives + a Dagger and – a Disk.26

KING: Let the Illusion of the World pass over thee, unheeded, as thou goest from the Midnight to the Morning!27

+: It is He! The Bornless Spirit!28

–: It is He that lighteneth and thundereth!29

The Mother rises.

[The sound of the storm begins to fade away]

MOTHER: It is He! The Truth!30 He is risen!31

+: He is exalted!

–: He is great!

+: Glory to God!

–: Thanksgiving to God!32

MOTHER: There is no god but man.33

[MUSIC: Sound of lightning and “OM” intoned]

The Mother gives the Sign of Isis Rejoicing,34 and there is a flash of lightning.35 +, –, and the Mother all kneel in awe as the Child emerges. The King is seen as the Child36 in the East37 in the attitude of Resurrection,38 dressed in Green39 or Rose-pink40 or plant-life with a golden sash around his chest,41 and he carries fresh flowers in both hands. + holds up the Dagger42 and – holds up the Disk43; they then both kneel and adore the Child when he begins his speech.44

KING: “I am that I am, the flame / Hidden in the sacred ark. / I am the unspoken name / I the unbegotten spark. / I am He that ever goeth, / Being in myself the Way; / Known, that yet no mortal knoweth, / Shewn, that yet no mortal sheweth, / I, the child of night and day. / I am never-dying youth. / I am Love, and I am Truth. / I am the creating Word, / I the author of the aeon; / None but I have ever heard / Echo in the empyrean / Plectron of the primal paean! / I am the eternal one / Winged and white, the flowering rod, / I the fountain of the sun, Very God of very God! / I am he that lifteth up / Life, and flingeth it afar; / I have filled the crystal cup; / I have sealed the silver star. / I the wingless God that flieth / Through my firmamental fane, / I am he that daily dieth, / And is daily born again.”45 VIAOV!46

The King looks to + and – who are kneeling in supplicated adoration.

KING: Fear not; I am the first and the last; I am he that liveth and was dead; and, behold, I am alive for evermore, for I have the keys of hell and of death.47 Kneel not in supplication, for I am your fellowservant. You are my brother [he raises + to his feet, takes the Dagger in his right hand, and gives + half of the flowers] and my sister [he raises – to her feet, takes the Disk in his left hand, and gives – the other half of the flowers]. Worship Thyself!”48

The King stands in the Sign of Osiris Risen, holding the Dagger and Disk against his shoulders. + and – go around and give each of the Congregants a flower with the words “Worship Thyself!”

[MUSIC: Part of “Appalachian Spring” by Copland]

When complete, + and – return, place any extra flowers on the High Altar in the East, and take back the Dagger and Disk, respectively. The King then approaches the West to comfort his awe-struck Mother. + and – go with him, flanking him.

KING: Mother, you mourn sincerely, but your sorrow has no cause. The change which ye lament is the life of my rejoicing, and the sorrow that blackeneth your heart is the myriad deaths by which I am renewed.49 Grieve neither for the living nor for the dead. There has never been a time when you and I and all the stars gathered here have not existed, nor will there be a time when we will cease to exist.50 Wipe the tears from your eyes.

+: There is no death!

–: There is no sorrow!

+: There is no crying!

–: Nor is there pain.51

KING: Remember all ye that existence is pure joy; that all the sorrows are but as shadows; they pass & are done; but there is that which remains.52 I am the Eternal Sun, the motionless axle of the cycle of night and day, constant and triumphant throughout the changing seasons. Realize you are That which pervades the universe and is indestructible; no power can affect this unchanging, imperishable reality. Even in the face of death, you should not grieve. Death is inevitable for the living; birth is inevitable for the dead. Since these are unavoidable, you should not sorrow… There is none that shall be cast down or lifted up: all is ever as it was53 … there is no sin, and there is no salvation54… Death means the attainment of heaven, and life means the enjoyment of the earth. Therefore, rise up, Mother, and resolve to rejoice!55

MOTHER: Behold! where are now the darkness and the terror and the lamentation? For we are born into the new Aeon; we shall not suffer death… In the nights we will dance together, and in the morning we will go forth to war; for, as my King liveth that was dead, so do you live now and shall never die!56


[MUSIC: Alexander Glazunov’s “Spring” from “The Seasons,” fade in starting from ~1:00.]

Congregants repeatedly intone ‘VIAOV’ in between scenes. 

SCENE III: Taurus.
The growth of the Body in Boyhood, the equilibration of the Elements

The future King is a youth, growing into adolescence. He is counseled by the Mother to grow in preparation for the Child to take the throne as King: he is taught to balance the Elements57 in the form of attainment of the 4 Powers of the Sphinx:58 To Know, To Will, To Dare, To Keep Silence. The Mother leads the Child around to each Quarter.59

MOTHER: Ah, my son! You are like a hawk with mighty-sweeping wings of mother-of-emerald. The very earth gladdens into green at your coming. Children of Earth! Rejoice! Rejoice exceedingly, for our salvation is at hand. The end of sorrow is come!60

KING: I am still but a child, innocent and impotent.61 How should I ever become deserving to take my Father’s throne?

MOTHER: You must first become worthy to seize the Sacred Lance of his power.62 The temple must be builded before the God can indwell it.63 Strengthen thyself! Set thy feet firmly upon the earth.64 Tend the garden of your soul!65

KING: Heavy is the labour, but great indeed is the reward.

MOTHER: You shall not see the reward,66 but you must tend the garden. Who can tell upon what day a flower shall bloom?67 In the impure Soul no Vision will arise, therefore cleanse the Soul68: balance the Elements within oneself: You must achieve the Four Powers of the Sphinx, though even adepts hardly attain to one of them!69

The Mother leads the Child-King to the West where + stands as representing the threat of unbalanced introversion. – stands in the East.

+: The wiles of the world are a plague upon the spirit! Build yourself up as a fortress to withstand the poisonous attacks of sense.70

The King looks to the Mother for guidance.

MOTHER: Be strong, o man! lust, enjoy all things of sense and rapture: fear not that any God shall deny thee for this. Exceed! Exceed! Strive ever to more! Love is the law, love under will.71

The Mother gives the Sign of the Enterer,72 and the King turns back to + to give the Sign of the Enterer himself.

MOTHER: My Child, the Power of Daring is in your heart, coiled and ready to leap!Springcircle_1

[MUSIC: Fade in “Mars” by Holst during circumambulations and fade out before the next line is spoken]

The Mother leads the Child-King 1¼ deosil/clockwise circumambulations while + moves widdershins-counter-clockwise ¾ circle (– mirrors movements of + on the opposite side of the circle; + ends in the North and – in the South); King and Queen come to the North where + stands as representing external Tyranny. The King faces + with the Mother behind him and to the side, guiding him.

+: Thou shalt honor thy father and thy mother! Thou shalt not commit adultery!73

The King looks to the Mother for guidance.

MOTHER: Thou hast no right but to do thy will. Do that, and no other shall say nay.74

The Mother gives the Sign of Silence,75 and the King turns back to + to give the Sign of Silence himself.

MOTHER: My Child, the Power of Knowledge grows within you!springcircle_2

[MUSIC: Fade in “Mars” by Holst during circumambulations and fade out before the next line is spoken]

The Mother leads the Child-King 1½ deosil/clockwise circumambulations; + and – do not move. The King and Queen come to the South where – stands as representing unbalanced extroversion. The King faces – with the Mother behind him and to the side, guiding him.

–: Be not lead into temptation, beware of your prideful sins!76 Love is charity and sacrifice to others.

The King looks to the Mother for guidance.

MOTHER: Ye shall be as ye are, & not other. Therefore the kings of the earth shall be Kings for ever: the slaves shall serve.77

The Mother gives the Sign of Silence,78 and the King turns back to – to give the Sign of Silence himself.

MOTHER: My Child, do not give overly of yourself to others in thought, word, or deed; Knowledge, Will, and Courage are for naught if you do not Keep Silence!

[MUSIC: Fade in “Mars” by Holst during circumambulations and fade out before the next line is spoken]

springcircle_3The Mother leads the Child-King ¾ deosil/clockwise circumambulations while – moves widdershins-counter-clockwise ¼ circle (+ mirrors movements of – on the opposite side of the circle; – ends in the East and + in the West); King and Queen come to the East where – stands as representing internal Tyranny. The King faces – with the Mother behind him and to the side, guiding him.

–: Who art thou that dost float and fly and dive and soar in the inane? Behold, these many æons have passed; whence camest thou? Whither wilt thou go?79

The King looks to the Mother for guidance.

MOTHER: A curse upon Because and his kin! May Because be accursed for ever! If Will stops and cries Why, invoking Because, then Will stops & does nought. If Power asks why, then is Power weakness.80

The Mother gives the Sign of the Enterer,81 and the King turns back to – to give the Sign of the Enterer himself.

MOTHER: My Child, you have begun to unfold the Power of Will. There is no law beyond Do what thou wilt.82

The Mother takes off the King’s green/rose-pink tabard.83 + takes the tabard from the Queen; + and Queen move to the East to join –, and + places the tabard in the East.

The Queen retrieves the Lance from the High Altar. + and – move to the center, The King in the West, the Mother in the East, + in the South, and – in the North so that all four individuals form a circle or diamond in the center, all facing inwards.

+: You have passed through each of the quarters.

–: You have become an adherent, a Man of Earth.84

+ holds the Lance upright in the center. +, –, and the Mother all intone a syllable of “IAO.” The Mother begins with “I,” and while she is still intoning, + begins to vibrate “A,” and – vibrates “O” so that all three are vibrated at once. Finally, the King vibrates “VIAOV” and they all end at the same time.


+ holds the Lance with the Mother while intoning:

+: A!

holds the Lance with the Mother and + while intoning:

–: O!

The King grabs the Lance and raises it while the Mother, +, and – all let go, all while the King intones:


+ and – turn to flank the Mother while facing toward the King.

KING: Am I not nearly purged of the iniquity of my forefathers?

MOTHER: Yet a little…85 This is only the first step upon the Path of the Great Work. Our Kingdom is still in danger: the Lower Kingdom threatens us where the Daughter of their King still rules. You must now leave me: win your own adulthood by winning a worthy Queen, and reclaim your rightful place as King.86 Go now, with ecstasy of worship in your heart.

+: With a clear mind.

–: And a passionate body.87

MOTHER: Go now, and may you grow to be a great King!

+: May you wax strong in spirit.

–: May you be filled with wisdom!88

[MUSIC: Fade in “Mars” from “The Planets, op.32” by Gustav Holst, starting from ~3:45]

KING: I shall find the Daughter of the King89 and she will become my bride! The voluptuous Virgin of Night will illumine my soul with arcane delight!90 Our Upper Kingdom will be united with the Lower once more: I shall set her upon the Throne of my Mother91 and the whole earth will rejoice.92

The King raises his Lance and marches to the West and into the Tomb.


[OUTRO MUSIC: Play out “Mars” for about 2-3 minutes.]

1 In 777, Frankincense is attributed to Tiphareth (the Sun) and to the Element of Fire, which rules the Vernal Equinox because it occurs in the sign of Aries.

2 In 777, Rose is attributed to Tiphareth in the King Scale of Color, and it is also “traditionally been taken as [a] glyph of the circle” which refers in this case to the circle or cycle of the Seasons itself.

3 This represents vegetative Growth, the “Green Man” of Spring, and the general flowering of Beauty after lying fallow during the darkness of Winter.

4 Isis mourning Osiris/Mary mourning Jesus; Isis Mourning (L) of the INRI/LVX/IAO formula

5 The Sun sets in the West and therefore represents Death.

6 Atu XVIII: The Moon.

7 The Vision and the Voice, 14th Aethyr.

8 These lines are adapted from Revelation 6:12.

9 The Vision and the Voice, 16th Aethyr.

10 In terms of these Seasonal rites, “the hope which thrilled me” refers to the Star of the Redeemer appearing at the end of the Winter Solstice ceremony, i.e. in Aquarius, which directly precedes this particular scene.

11 The Heart of the Master.

12 A reference to the Star of the Redeemer that appeared at the end of the Winter Solstice ceremony, i.e. in Aquarius.

13 The Heart of the Master.

14 Adapted from The Vision and the Voice, 28th Aethyr, where it refers to the dispersion of the Abyss.

15 The Vision and the Voice, 16th Aethyr.

16 Adapted from The Vision and the Voice, 14th Aethyr.

17 The Vision and the Voice, 14th Aethyr.

18 These are the pangs of birth.

19 A reference to Revelation 6:12, “And I beheld when he had opened the sixth seal, and, lo, there was a great earthquake; and the sun became black as sackcloth of hair, and the moon became as blood.”

20 An adaptation of Liber LXV, I:38.

21 An adaptation of Liber LXV, I:37.

22 The Vision and the Voice, 14th Aethyr.

23 These two lines are adapted from The Vision and the Voice, 14th Aethyr, “The voice of the Crowned Child, the Speech of the Babe that is hidden in the egg of blue… Rejoice with me, O ye Sons of the Morning; stand with me upon the Throne of Lotus…”

24 The three vibrations of the threefold word “VIAOV” (the V’s are silent) give 9 total syllables that are intoned, symbolic of the 9 months of the Child in the womb. They do not necessarily need to perform 9 circumambulations but it would strengthen the symbolism.

25 The Vision and the Voice, 15th Aethyr.

26 The Mother is the source of the mind (Dagger) and body (Disk) of the Child, which are given to Him in order that he may incarnate or “manifest.”

27 From Crowley’s The Heart of the Master.

28 He is the “Bornless Spirit” because the True Self is never born nor does it ever die, yet it enters into incarnation or manifestation – represented by the four seasons and four Elements – in order to experience Itself.

29 It is seen that the storm is the Child itself, no longer a source of fear but a signal of the divine presence. As it says in the Holy Book of Thelema known as Liber A’ash, “Fear not when I fall in the fury of the storm; for mine acorns are blown afar by the wind; and verily I shall rise again, and my children about me, so that we shall uplift our forest in Eternity. Eternity is the storm that covereth me.”

30 This exchange comes from Liber Samekh, Section Gg. “The Truth” is a name Christ gives to himself and it is also one of the many names of Allah. Mansur al-Hallaj – a Persian Sufi of the 9th and 10th centuries C.E. – attained this identity with Godhead and he was promptly killed for blasphemy when he proclaimed “I am the Truth.”

31 “He is risen” comes from what is called the “Paschal greeting.” On Easter, certain Christians will greet each other by saying “Christ is risen” and the response is “Truly, He is risen!” Easter, i.e. the Resurrection, corresponds to the Vernal Equinox ceremony insofar as the Father is resurrected in the Son in this Season.

32 This exchange is adapted from The Vision and the Voice, 15th Aethyr. “Exalted” and “great” are qualities or titles of the 5th Sephirah, Geburah, while “glory” and “thanksgiving” (the literal translation of eucharistos) are qualities or titles of the 4th Sephirah, Chesed. Together with Tiphareth, the Sun, they form the descending triangle of Ra-Hoor-Khuit, the Crowned and Conquering Child.

33 This line comes from Liber LXXVII: Liber OZ, and is switched in here for “There is no god but god,” which occurs in the 15th Aethyr. It is thus, in one sense, a development from the Muslim proclamation of faith insofar as the human being is understood to be the true God. It is said here by the Queen almost as a correction to the paeans being made by + and –.

34 The final sign of the NOX series, Mater Triumphans; it signifies the completion of the crossing of the Abyss to be born as Nemo

35 Lightning represents (a) Incarnation or Manifestation, i.e. the Qabalistic Lightning Flash ; (b) the birth of the Zarathustran Overman as in “Where is the lightning to lick you with its tongue? Where is the frenzy with which ye should be inoculated? Lo, I teach you the Superman: he is that lightning, he is that frenzy!-”; it is also therefore the birth of the Child of Attainment, i.e. Nemo in the City of the Pyramids; he is also the birth of the demi-god Savior as in, for example, the stories of Christ or Buddha (c) the Thelemic image of the generative force as in Liber A’ash, “Gnarled Oak of God! In thy branches is the lightning nested! Above thee hangs the Eyeless Hawk” and throughout Liber VII. It is therefore the Incarnation of the Spirit into Man and the birth of the Savior into the World, the Master of the Temple being cast from Binah back down into Malkuth to restart the cycle. The idea also relates to an aphorism from the Chaldean Oracles, “If thou often invokest thou shalt see all things growing dark; and then when no longer is visible unto thee the High-arched Vault of Heaven, when the Stars have lost their Light and the Lamp of the Moon is veiled, the Earth abideth not, and around thee darts the Lightning Flame and all things appear amid thunders.”

36 The Green Man/Pure Fool of Spring and youthful folly; also the Crowned & Conquering Child Horus

37 The East is where the Sun rises and therefore represents Birth.

38 The Sign of Osiris Risen with arms crossed over the chest; it is the sign of Life triumphant over Death.

39 This refers to the re-emergence of plant life after Winter and is reflected in many traditions, e.g. the Green Man, the green color of Osiris’ skin, or Atu 0: The Fool in the Thoth Tarot.

40 Rose-pink is a color of Tiphareth, the Sun, specifically “the rose-pink of dawn, the spring of the day” (777).

41 Revelation 1:13, “And in the midst of the seven candlesticks one like unto the Son of man, clothed with a garment down to the foot, and girt about the paps with a golden girdle.”

42 The Dagger is the weapon of Air and therefore symbolizes the bestowing of a Mind as a weapon to work his Will. It also reflects the Scourge, i.e. of Geburah/Mars that Osiris traditionally holds.

43 The Disk is the weapon of Earth and therefore symbolizes the bestowing of a Body as a weapon of work his Will. It also reflects the Crook, i.e. of Chesed/Jupiter that Osiris traditionally holds.

44 This is Baphomet, the Two-in-One God, who is seen as Christ the Redeemer in Revelation 1, the Alpha & Omega.

45 “The Ship: A Mystery Play” by Crowley

46 VIAOV represents the V passing through the cycle of Incarnation (IAO), triumphant and sustained by the process rather than it being a catastrophe. It represents the triumph of Life/Hadit through apparent death.

47 An adaptation of Revelation 1:17-18.

48 An adaptation of Revelation 22:9, “Then saith he unto me, See thou do it not: for I am thy fellowservant, and of thy brethren the prophets,and of them which keep the sayings of this book: worship God.” The switch from “God” to “Thyself” represents the switch in perspective of the New Aeon of the Crowned and Conquering Child.

49 This particular line comes from The Vision and the Voice, 23rd Aethyr.

50 An adaptation of chapter 2 of Bhagavad Gita

51 Adapted from Revelation 21:4.

52 Liber AL II:9

53 Liber AL II:58.

54 This one line comes from The Vision and the Voice, 26th Aethyr.

55 An adaptation of more of chapter 2 of Bhagavad Gita

56 Adapted from The Vision and the Voice, 22nd Aethyr.

57 The 4 Elements are seen around the edges of Atu V: The Hierophant to which is attributed the sign of Taurus.

58 This arduous work of winning mastery over the Elements is reflected in the hard work of plowing the fields; Taurus, the Bull, is an animal used to help plow fields.

59 The Quarters represent the 4 Elements and the 4 Powers of the Sphinx.

60 Adapted from Liber Tzaddi, lines 1-4.

61 “Innocent and impotent” is a phrase used in Liber Samekh to describe the Pure Fool, the Babe Horus (Aleph – Atu 0: The Fool) that must obtain the Lance and become the Adult Horus (Ayin – Atu XV: The Devil).

62 Crowley writes in Liber Samekh, Point II, line 5, “What then is the formula of the initiation of Horus? It will no longer be that of the Man, through Death. It will be the natural growth of the Child. His experiences will no more be regarded as catastrophic. Their hieroglyph is the Fool: the innocent and impotent Harpocrates Babe becomes the Horus Adult by obtaining the Wand. ‘Der reine Thor’ seizes the Sacred Lance. Bacchus becomes Pan. The Holy Guardian Angel is the Unconscious Creature Self – the Spiritual Phallus. His knowledge and conversation contributes occult puberty.”

63 Liber LXI vel Causae, line 21.

64 The Vision and the Voice, 15th Aethyr.

65 A reference to the garden of the 13th Aethyr where a certain flower may arise as NEMO, the Master of the Temple.

66 A foreshadowing of the King’s death next Winter, and also a more esoteric reference to the fact that Attainment ultimates in the annihilation of the ego so the “you” of the ego shall not see the “reward.”

67 The Vision and the Voice, 13th Aethyr.

68 Adapted from AHA!

69 Adapted from AHA!

70 Basically, + represents the Threat of unbalanced Introversion: + tries to get the Child-King to keep to himself and be concerned only with himself.

71 Liber AL, II:22, 71, 72 and Liber AL, I:57.

72 The Sign of the Enterer, i.e. Silence, i.e. of Ra-Hoor-Khuit, represents a response to or attack against the – imbalance.

73 Two of the 10 Commandments of the Old Aeon. They represent, in general, the “Thou shalt”s and “Thou shalt not”s that are overturned in the New Aeon. In particular, the father and mother are no longer adored for it is the Aeon of the Crowned and Conquering Child. Adultery is no longer sacred, for we no longer pathologize the sexual instinct nor think it sinful, and Babalon is the Great Whore that we adore. Basically, + represents external Tyranny, i.e. religious-social Authority, and + tries to get the Child-King to conform to his ideal of what is right.

74 Liber AL, I:42-43.

75 The Sign of Silence, i.e. of Harpocrates or Hoor-Paar-Kraat, represents a response to or defense against the + imbalance.

76 A reference to the Lord’s prayer as in Luke 11:4, “And forgive us our sins; for we also forgive every one that is indebted to us. And lead us not into temptation; but deliver us from evil.” Basically, – represents the threat of unbalance Extroversion: – tries to get the Child to engage in self-sacrifice, only thinking of others, which is a hallmark of the Old Aeon of Osiris, the Dying God.

77 Liber AL, II:58.

78 The Sign of Silence, i.e. of Harpocrates or Hoor-Paar-Kraat, represents a response to or defense against the + imbalance.

79 This line comes from Liber LXV, II:21 where it is asked by the “little crazy boy” of Reason to the Adept. Basically, – represents Internal Tyranny, i.e. superstition and habit. – tries to get the Child-King to question himself through hyper-rationality.

80 Liber AL, II:28-31.

81 The Sign of the Enterer, i.e. Silence, i.e. of Ra-Hoor-Khuit, represents a response to or attack against the – imbalance.

82 Liber AL, III:60.

83 This represents the end of childhood and the entering into adulthood. There have now been a total of 3.5 deosil circumambulations, symbolic of the Kundalini serpent coiled 3.5 times at the base of the spine. The awakening of the Kundalini represents the awakening to the Creative Life-force of Godhead, which is seen symbolically in puberty in the course of the individual’s life.

84 This represents attaining the “grade” of Man of Earth, corresponding to the Third Order of Golden Dawn (Malkuth, 1=10) which contains the 4 Elements. The next grade is the Lover, which is in Tiphareth (5=6). This grade, as well as that of Geburah (6=5) are attained in the Summer Solstice ceremony. The grade of 7=4 is attained in Autumn when the King becomes a Hermit, which is the final aspect of the grade of Lover. The next grade of Hermit (8=3) is attained in the Winter Solstice when the King gives up his life in an act of supreme Love.

85 The Vision and the Voice, 16th Aethyr.

86 This represents the child leaving the home of the family and becoming an independent adult. It also refers to the Son/Prince of Tetragrammaton (YHVH) uniting with the Daughter/Princess of Tetragrammaton (YHVH), so that she may be set upon the throne of the Mother (YHVH) and the Prince may become King (YHVH).

87 The Vision and the Voice, 16th Aethyr.

88 Luke 2:40.

89 The Vision and the Voice, 9th Aethyr. She is the Daughter or Princess of Tetragrammaton, the Final Heh of YHVH. The King, having attained the Lance, has achieved become the Prince (Vav of YHVH) who weds the Princess (Final Heh of YHVH) so that she may be set upon the Throne of Understanding (Heh of YHVH) and he may assume the Throne of the King (Yod of YHVH).

90 Adapted from AHA!

91 The Vision and the Voice, 9th Aethyr, “This is she that is set upon the Throne of Understanding. Holy, Holy, Holy is her name, not to be spoken among men. For Kor they have called her, and Malkuth, and Betulah, and Persephone.” Also, the 4th Aethyr, “And this is that which is written: Malkuth shall be uplifted and set upon the throne of Binah.”

92 A foreshadowing of the Summer Solstice ritual, which reflects Revelation 19:7, “Let us be glad and rejoice, and give honour to him: for the marriage of the Lamb is come, and his wife hath made herself ready.” The King is, of course, the Lamb, the Solar Savior of Light, Life, Love, and Liberty.